The photos taken by Tsybizova and Zumpano show a country where life continues on a bride hoists up her white dress above rain shiny burberry pavement, two burberry old men play chess in a park amid the litter of revolution; burnt out cars scrawled with graffiti, banners of the faces of the dead, anti Putin graffiti and memorials with photos and flowers. Then there was a play about the actor who is mistaken for Danton [Who Shall Be Happy?], a play of absolute despair. It is a good play. It's about the French Revolution, but it is absolutely black. The idea that you could have the dialectic at the heart of a play was something I learnt from him. Working on his burberry plays, I realised that you can't lead the audience towards your own conclusions. You have to leave it open. If the audience has to think it out by themselves, you've done something very powerful. If you lead them down the road, as Brecht tried to do, you can end up with propaganda. The question now is, how exactly do you pull this off? Security updates could be optional by default. But what if they're dangerously urgent? Then there's the matter of how and when you download them. Can you do it while driving without burberry worrying about the car shutting off? And updates sometimes burberry make computers buggy. Will it be unsafe to drive? She read all of her reviews for her first play, "Because they were all great!" but is more choice these days. "My last one the reviews were insanely mixed very good or very bad and that was a good experience." She is sanguine too about That Face's New York flop. "I always thought it was a play the whole world would like but actually it turns out it's really British," she says. "It was a really bad production. But it's too dark and they did NOT find it funny. And if you don't find it funny it's just this howling melodrama. Because I was so blessed blessed, urgh with good reviews for both my first plays, it was really good to actually go off shore and fail."